Recently Canon has announced their latest entry (return?) to the compact photo/vlogging camera segment – the Canon V1:

Canon PowerShot V1

  • 22MP Type 1.4 (18.4 x 12.3mm) Dual Pixel AF CMOS sensor
  • 16-50mm equiv. F2.8-4.5 zoom lens with 3EV ND filter
  • Full-width 4K up to 30p from 5.7K capture
  • CLOG 3 Available
  • 4K/60p from a 1.4x crop (1:1 pixel capture)
  • Up to 30 fps stills capture in e-shutter mode
  • Cooling fan for extended video recording
  • Wired or wireless video streaming
  • Multi-function hotshoe for flash or audio accessories
  • Fully-articulated rear touchscreen
  • Headphone and mic sockets

I guess I should applaud their efforts here – everyone is wanting this type of compact “point and shoot” camera, thanks to the success of cameras like the FujiFilm X100VI and the Leica Q3.  But Canon has a knack for getting these types of cameras wrong more often then right, which I would argue is the case here.  This shouldn’t have been rocket science.  Canon should have been able to better identify what consumers want/need based on the record sales of both the Canon G7 X Mark II and Mark III.  Hell, they could have simply re-released the G7 X Mark II and I’d have been MUCH happier than I am based on the V1’s specs.  Or they could have updated the G7 X Mark III with some of what we’re seeing in the V1 and you’d have a better camera.My biggest complain here on the V1 is the lens – a 35mm equivalent 16-50mm with a variable aperture of f2.8-4.5.  Sure, a 16mm FOV is much more vlogging friendly than say the 24mm wide limit on the G7 X line of cameras.  And I get that the 1.4″ sensor on the V1 (nearly micro four thirds) provides some advantages to a camera that’s videocentric as compared to the 1″ sensor on the G7 X cameras.

Image Sensor Size Comparison Chart From Canon Rumors

 

My thing is, I’d rather use a small tripod or selfie stick on a G7 X camera to get the camera a little further from me than not have the flexibility of having the 24-100mm range and especially the f1.8-2.8 variable aperture.  THAT is why people are paying over the original retail price for like new examples of the G7 X cameras.  And why does the V1 have CLOG 3 file output available?  This is a consumer grade device – few in this segment are going to want to want to fool around with color grading video files.  Even for those who might, CLOG 3 is tough to grade properly.  IMHO, you use CLOG 3 when you want to optimize dynamic range.  I just don’t see that as an ideal, or even likely use case for this device.  Social media influencers want a small, easy to use point-and-shoot device for both photo and video.  And low light video performance is hugely important to many social influencers who want to capture a night out with friends.  I just don’t think the V1 will shine in this regard, relative to other options.  Most agree that when it’s released, the V1 will cost between $800 and $1000.00.  You can get the DJI Osmo Pocket 3 for LOT less – it’s going to be just as portable and will take stabilized video – a hugely important consideration.

Backside of the new Canon V1

The V1 is “Canon compromised” in ways which make it a non-starter when you consider other options in the marketplace.  Again, just update the Digic Processor found in the G7 X Mark II and re-release it.  That would have been a MUCH better photo camera.  And similar updates to the G7 X III would have made for a superior video camera…for me.  And I get that the V1 may not be marketed to users like me.  But my problem is I can’t really identify who this product is ideally suited.

About John B. Holbrook, II
John B. Holbrook, II is a freelance writer, photographer, and author of ThruMyLens.org, as well as LuxuryTyme.com and TheSeamasterReferencePage.com. *All text and images contained in this web site are the original work of the author, John B. Holbrook, II and are copyright protected. Use of any of the information or images without the permission of the author is prohibited.

No related content found.